Greta Van Fleet's hot potato - Wishevoke

Greta Van Fleet’s hot potato

Every era needs its own heroes, whether they are gifted and artificial or have risen with their musical inspiration as their main weapon. Acrobats also lie between the two cases mentioned above Greta Van fleetan act that many love to hate and yet so many simply glorify and “hate” those who don’t see the magic in their music.

You see, American rockers have rightly conformed to a formula that, while it’s impossible to do them wrong, puts them in a category of acts who, however talented they may be, have a hard time keeping the clone label hanging over them to strip off. So a bit of their approach to old 70s rock, a bit of frontman Josh Kiszka’s voice, which is reminiscent of Robert Plant’s nickname Led clones I remained loyal to them once and for all. Right or wrong is another story, one side of which we will examine here.

The quiet beginning, the rapid rise and the first Grammy Award

Greta Van Fleet

It’s amazing how the phenomenon started Greta Van fleet, demonstrating not only the power of media, but also the true power of Led Zeppelin’s music in the broader rock culture. Since their story began tentatively in 2012, it only took four years without an official publication before they made the jump to the mainstream American public.

How did they do it? An appearance on the TV show “Shameless” made her famous, while the exclusive “Highway Tune“Video on Loudwire, gave them the impetus to act as such Preferably New Artist from said medium. Well, the water had gone down the drain, so much so that their double EP (ok, who are we kidding, basically a regular album) “From The Fires” sold like crazy and even won the Grammy for Best Rock Album won nominations from Alice In Chains, Weezer, Fall Out Boy and Ghost.

In addition to flirting with Elton John and making the most of her networking, with television appearances ranging from Jimmy Fallon’s The Tonight Show, Greta Van Fleet has begun to imagine herself as the hottest rock name since the era of…Led Zeppelin, with which the general public is exactly that ignores or evaluates positively: that it comes too close to the latter, to the point of misunderstanding. And this is where the real contradiction to their case begins.

There is nothing wrong with a band taking advantage of the momentum or opportunities presented to them, just as there is nothing wrong with gaining overnight notoriety in inverse proportion to their actions. At a time when the rock scene is looking for new big bands, at a time when the older bands are inevitably in the west of their careers, such instant commercial acceptance is the quintessentially ’70s revival rockers Greta Van Fleet a small victory for this space. The question is to what extent this victory was achieved through legitimate means and how long their own “phenomenon” in the market can last.

It’s Greta Van fleet The future of the mainstream rock;

Greta Van Fleet

Bands like the Americans have resurfaced. “Kingdom Come”, “The Answer” and of course “Wolfmother” are just a few relevant examples, whose success or failure is measured by whether one sees the glass as half empty or half full. Rising stars of a scene that glorified and accepted them as easily as it destroyed and forgotten them, the same bands once presented as the new saviors of rock were eventually pushed to the sidelines without embracing their style or musical approach change. Maybe Greta Van Fleet is an exception, but history repeating itself is usually impossible for anyone to avoid.

Of course there are also voices that speak against the value of the band, and there are quite a few of them. Personally, I can’t say I completely disagree as listening to their music is pleasant and creates an intimacy while the execution is perfect. The point is that this familiarity is borrowed, as I make no secret of the fact that I have sometimes found myself wondering what Zeppelin song was playing, without knowing that I was listening to Greta Van Fleet. Or I’ll revisit one of my first three favorite British albums to really hear it.

Tell me, haven’t they been accused a few times of borrowing an idea from another artist or format and presenting it as their own? However, the asterisk clearly indicates that they did it half a century ago, at a time when hard rock was in the creation phase rather than saturation, and that they were as unique a band as they are yet had never given. Luckily for them, information in their time didn’t flow at the exhausting pace it does today, which helped them build their untouchable legend. Unfortunately for Greta Van Fleet, this is no longer the case as almost everything has been played over and over again and opinions can be expressed publicly just as easily as finding and listening to an album.

The final verdict coincides with a not-so-positive opinion of her new album, which was the reason for this column. As much as I would like to admit that, at their age and with few creative and concert “miles” behind them, they have managed to get the entire rock world to engage with them, willingly or unwillingly, what I hear holds up me from it. As much as I’d like to say that “The Battle At Garden’s Gate” shows them slowly moving away from that Carbon Zeppelin style, the song-by-song progression makes me wonder once again which album from the latter which idea was adopted. As much as I’d like to find more influences in John Kiszka’s performance palette and imagine that Geddy Lee inspired the young singer, Robert Plant’s icon isn’t going away from his mind any time soon. Yes, the songs are beautiful, but their personality belongs somewhere else, and if this is the present of mainstream rock, a present of recycling and imitation, then I don’t see a better future.

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